A Maquiagem Inteligente E Definitivo Para as ‘working Girls’
Pela hora de escolher uma maquiagem, pra evitar o efeito ‘máscara’ ou que a cor seja desigual da nossa pele são alguns dos desafios com que se defrontam as mulheres no momento em que compram um produto. Pra resolvê-lo, há duas soluções possíveis: converter o saco em um arsenal de pós, líquidos e todo o tipo de escovas ou transportar só um: o Synchro Skin da Shiseido.
Ainda que não nos demos conta, alguns parâmetros, como a quantidade de sebo produzido na pele, irão mudando no decorrer do dia. Desse modo, a Tecnologia de Resposta Sensorial reage com as necessidades do rosto. Este poder camaleão de Synchro Skin de Shiseido também se muda para a cor graças à Tecnologia Sincronizadora de Cor e Textura que permite o máximo de ajustar ao tom da pele. Além de embelezar, Synchro Skin de Shiseido também tem privilégios pra pele, como seu poder hidratante ou a proteção ambiental (SPF20). Sua inovadora fórmula ultra-suave e se funde com a pele corrigindo qualquer imperfeição e liberando seus ingredientes, transformando-se depois em um pó, que traz à pele um acabamento sedoso, confortável e de longa duração.
Uma das grandes vantagens de Synchro Skin é a sua duração. Sua Tecnologia de Sincronização de Cor e de Textura dura, tanto ao longo da jornada de trabalho como o ‘afterwork’ de tarde, ou após uma longa noite de comemoração até o amanhecer. 1. Aplica-Se depois de rotina de tratamento facial e de Refining Makeup primer de Shiseido. 2. Agitar antes de utilizar. 3. É aplicado com os dedos ou com Perfect Foundation Brush de Shiseido. 4. Agora temos uma maquiagem suave e durável para todo o dia.
Among these recordings was the Double Violin Concerto, which she conducted with Emanuel Hurwitz as soloist. Forty years earlier she had acted as the rehearsal pianist before the work’s first performance. Holst had formed the Purcell Singers, a small semi-professional choir, em Outubro de 1952, largely at the instigation of Pears. From 1954 the choir became regular performers at the Festival de Aldeburgh, with programmes ranging from rarely heard medieval music to 20th-century works. Among choir members who later achieved individual distinction were the bass-baritone John Shirley-Quirk, the tenors Robert Tear and Philip Langridge, and the founder and driver of the Heinrich Schütz Choir, Roger Norrington. On 2 de Junho de 1967 Holst shared the podium with Britten in the concert inaugurating the Aldeburgh Festival’s new home at the Snape Maltings.
- Dois Novas gemas
- Mark Taylor – produtor vocal
- Granjel, Luis S. Panorama da formação de 98. Madrid: Guadarrama [1959]
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From 1972 Holst was involved with the development of educational classes at the Maltings, which began with weekend singing classes and developed into the Britten-Pears School for Advanced Musical Studies, with its own training orchestra. By this time Imogen’a performances at the festival had become increasingly rare, but in 1975 she conducted a concert of Gustav Holst’a brass band music, held outdoors at Framlingham Castle.
Britten had been in poor health since undergoing heart surgery in 1973, and on quatro de Dezembro de 1976 he died. Holst was unsure that she could maintain a working relationship with Pears alone, and on reaching the age of setenta in 1977, decided she would retire as artistic director after that year’s festival.
She made her encerramento festival appearance as a performer when she parou in for the indisposed motorista, André Previn at the Snape Maltings Training Orchestra’s inaugural concert festival. On retirement, she accepted the honorary title of Artistic Director Emérito. Gustav Holst’a centenária was celebrated em 1974, no momento em que Imogen published a temática perante Catalogue of Gustav Holst’s Music. The centenary was the occasion of the publication of the first volume of a facsimile edition of Gustav Holst’a manuscripts, on which Imogen worked with the help of the composer Colin Matthews. Three more facsimile volume followed in the years up to 1983, at which point the increasing costs, and Imogen’a failing health led to the abandonment of the project.
As part of the 1974 centenária, she negotiated performances of Savitri and The Wandering Scholar at Aldeburgh and Sadler’s Wells, and helped to arrange exhibitions of Gustav Holst’s life and works at Aldeburgh and the Royal Festival Hall. Apart from her books concerned with her father’s life and works, Holst continued to write on other aspects of music. River Devem in Suffolk at different phases of the year. Her last major composition was a String Quintet, written in 1982 and performed in October of that year by the Endellion Quartet, augmented by the cellist Steven Isserlis.
In April 1979 Holst was present when the Queen Mother opened the new Britten-Pears School building in Snape. The building incluída a new library—the Gustav Holst Library—to which Holst had donated a large amount of instrumento, incluindo books which had her father used in his own teaching career.
She had intended that, after 1977, her from the retirement Aldeburgh Festival would be total, but she made an exception in 1980 when she organised a 70th birthday celebration concert for Pears. Shortly after the 1977 Festival de Aldeburgh, Holst became seriously ill with what she described as “a coronary angina”.
